MUSIK KONTEMPORER DI TENGAH ARUS PERGULATAN MUSIK TRADISI: DISKONTINUITAS DAN PERMASALAHANNYA

I Komang , Sudirga (2005) MUSIK KONTEMPORER DI TENGAH ARUS PERGULATAN MUSIK TRADISI: DISKONTINUITAS DAN PERMASALAHANNYA. Mudra (JURNAL SENI BUDAYA), 17. p. 1. ISSN 0854-3461

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Abstract

This article is focused on contemporer music condition in Bali. The analisist is based on a deeper supervision though it’s in the social cociety teritoty or centenpore music activities in the academical contemporer area. Art music problems in Bali influenced by internal or eksternal aspect. In interal’s way the learning and understanding on contemporer is more influenced by the western system, but it’s not correct on the application. Generally this understanding is always connected with an ekperimental artwork, the orrangement is organized in freeway, and perform in a different style, affected the less in implication and konotation. It laused an apriory behavior in the souety “extremlly” into the Artwork of contemporer comunities which is judge as the caused on the destruction of the traditiond. In other ways of thingking they just want to add on whatithad already exsist. The consequention, contemporer music artist cant be consistance in their field, so their exsistance in their binary position is faced on two chairs which is more influenced into traditional’s chair. Besides that, the Balinese society has functional music with their culture and religions life, it’s minimize the spaces on contemporer music generally. The networking between the contemporer community is unorganized, the goverment motivation to opem more space into larger creative space and the suporting institutions is almost not seen. This phenomenal be discussed in this article.

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