Agus Mulyadi, Utomo (2017) KONSEP PENCIPTAAN SENI KERAMIK. Documentation. ISI Denpasar.
Full text not available from this repository.Abstract
Pandangan seni keramik sampai saat ini masih tumpang tindih (overlaping) atau terpadu. Umumnya belum banyak yang mempersoalkan ciri khas masing-masing konsep penciptaan, perbedaan-perbedaannya, dan kecenderungan dalam mengolah seni keramik. Pada dasarnya ketiga bagian seni keramik tersebut mempunyai ciri khas dan penonjolan masing-masing secara terpisah. Konsep penciptaan seni keramik seperti yang diuraikan, memiliki tiga arah pengembangan — sebagai seni murni, seni kriya (kerajinan) seni pakai. Berdasarkan kecenderungan yang melatarbelakangi sifat-sifatnya The display of ceramic art to date is still overlapping (overlaping) or integrated. Generally not many are questioning the characteristics of each concept of creation, differences, and tendencies in ceramic art processing. Basically, the three parts of ceramic art have their own characteristics and separate bulge. The concept of ceramic art creation as described, has three directions of development - as pure art, craft art (craft) and art use. Based on the trends behind nature. Kaywords: Concepts of Ceramic Art, Art Crafts and Art of Use
| Item Type: | Monograph (Documentation) |
|---|---|
| Subjects: | N Fine Arts > NX Arts in general |
| Divisions: | Faculty > Fine Arts and Design Faculty > Craft Department |
| Depositing User: | Mrs Dwi Gunawati |
| Date Deposited: | 07 Nov 2017 04:29 |
| Last Modified: | 07 Nov 2017 04:29 |
| URI: | http://repo.isi-dps.ac.id/id/eprint/2485 |
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